Petra Fornayová: SEVENTH DAY

Saturday, 31.05.2025, 18:30, The Studio 12

Time-tested creator Petra Fornayová has taken on the “massacre-like” material of Burlas’s Record of the Seventh Dayand the messages it conveys. This work stands out for its urgency, pressure, and bleakness, as Martin Burlas composed it in response to the political tensions of the 1990s in Slovakia. Inspired by this piece, Petra has created a shorter, subtle yet highly expressive movement-musical-visual composition that generalizes past local crises and updates them for the present. This level of engagement is currently of utmost importance. The combination of the performance with Robert Švarc’s lecture is a unique, exceptional, and surprisingly brilliant and original genre fusion.

Jozef Vlk

The Seventh Day Record was composed by Martin Burlas as a response to the unfavorable political situation in the 1990s. Plato’s texts addressed the government crisis in Syracuse in the 4th century BC. Today, we are once again experiencing a crisis, and not only a political one. We each cope with crisis situations differently: some fight with beauty, while others prepare for revolution. The Seventh Day symbolizes exhalation, abandonment, and the end of a cycle. It is a treshold – a day that heralds a new week, yet despite its sense of peace, it carries the tension of an impending beginning.

 

Performance includes a lecture Revolt and the Body
Author and lecturer: Robo Švarc

“It is important that we act together and gather in public as bodies – as the embodied beings that we are.” With these words, Judith Butler highlighted the agency of the body during Occupy Wall Street in 2011. In recent times, social antagonisms have increasingly moved into the virtual spaces of social networks, making communication ever more predictable, in line with the tendency of entropy, which moves toward “heat death”—the leveling of all differences under the guise of passionate arguments, discussions, polemics, and polarization.

And what about the body? Is the body still capable of becoming, through its extension, a medium of communicative difference—one that could rise above the leveling surface of “the final equalization of all differences,” which, according to Helmuth Plessner, marks the end of democracy? Scars, color, movement, resistance, activity, passivity, natality, abortion, orientation, scent, fragrance, sound, touch, consciousness, unconsciousness, intimacy, solidarity, distance, assembly. We will shed light on some of these.

The lecture will be in English.

Concept, direction, choreography, text selection: Petra Fornayová
With: Petra Fornayová, Barbora Janáková
Music: Martin Burlas_Seventh Day Record
Text selection from: Plato_Letters/Seventh Letter
Voice-over: Anna Mária Janeková
Video, editing: Ambróz Šulej
Sound direction: Fero Király
Dramaturgy: Peter Šulej
Performance record: Patrik Toman
Production: AST
Thanks to: Iveta Konýčková, Adam Hanuljak, Žofia Dvořáková

Creation and premiere was supported by the public funds from Slovak Arts Fund.

Petra Fornayová

Petra Fornayová is a choreographer, theatre director and performer. She graduated from the Law Faculty of Comenius University in Bratislava and studied dance at the Academy for Performing Arts in Bratislava and EDDC Düsseldorf. After being a member of verious companies, including Théâtre du Movement Paris and the ballet of the State Opera in Banská Bystrica, she embarked on a freelanced career. She has created more than 20 original performances, such as Grass is Green, Manifesto of Possibilities, Subjective Future, and has directed contemporary theatre plays by authors like Vyrypajev and Spregelburd. Her performances have been presented both in Slovakia and internationally at festivals and venues such as New Drama Bratislava, Opera Nova Prague, Divadelná Nitra Festival, Jamais Vu! Paris, Tanec Praha, and Korespondance CZ, among others. She is the founder of the contemporary dance festival Nu Dance Fest and a member of the editorial board of the contemporary art magazine VLNA. Her works DWCHP and Patterns, created in collaboration with Cluster Ensemble of Contemporary Music, were nominated for the Tatra Bank Award for Art in 2018 and 2019. In 2018, she was nominated for the National Film Award – Sun in the Net for her role in Juraj Lehotský’s film Nina. She also played one of the main characters in Mira Fornay’s film Cook F**k Kill, which was nominated for the Best Film at the Czech Lion Film Awards in 2021. She has been a member of the artistic team of the Slovak Pavillion at the Venice Art Bienalle 2024.

www.petra-fornayova.sk